That, centuries ago, people protect themselves from dangers that stores, has installed a kind of shelter duties, roof, clothes. Just as our home for us, peace, confidence, happiness, and if it carries the meaning of privacy, they also put their bodies on them for their skins, furs, homes, day-care centers, shelters. If you actually look at the clothes and houses, clothes and, more generally, with such a thin line between buildings at work ...
Both feed each other, where it comes together is a source of inspiration. None of the windows looked into the house, was born here can not claim the shirt pocket, but maybe in history, architecture, art in all forms of control flow, along with failure to influence the clothes we can say. If we look at extending it a little bit of art history, with examples of the aforementioned relationship may get more accurate information.
CASTLE SIGNS know that the inspiration for
Let's start from the Gothic period, for example ... Showdown between the papacy and the Kingdom can be described as sharp and thin vertical lines dominate in the extreme, even in the Gothic period clothing, architecture has taken its share. Pointed Gothic towers of art reflecting the many details of the belt, clothes, the sharp-nosed, and based socks, arm style as sharp at the edges was encountered. Structure also affects the sharpness of the women had their titles, the Dom Cathedral, the roof of the Europeans to see any females in the title is not impossible. So that even the castle towers and costume design inspiration to even the loophole has holes. Looking to the renaissance of the period of excessive ornamentation, as in the palace has shown himself in costume. Portraits of famous painters of this period that women, both jewelry, hair needed, both in clothing choices made have proven to us mentioned extremism. Likewise, after the Renaissance from the palace, which is popular in Europe and in the large centers, according to an exaggerated show of art as pleasure can be named is not a lot different in the Baroque era. Sober and elegant architecture of the details that the costumes have been in the making, especially the mobility and fluidity, has shown itself in clothing styles. In the Baroque era when women wore layers of fluffy like water flowing skirts, are moving in parallel with the architectural features.
CEMENT CLOTHING fabrics of
I mean, fashion and architecture to the ear at first, such as Tom & Jerry or Bonnie & Clyde an inseparable duo in the recall, the strong relationship between the time comes for centuries. 13. Century, without going into more abstract way, the structure is transferred directly to the clothing of the details in today's "Fashion Architecture" is the basis of the concept. Designer is often referred to, is seen as a refuge for clothing made in light of this method of thinking as the basis for how the Coco Chanel, "Fashion is architecture: Size is the issue" is summarized in the words. Today's designers in need for years, an architect, and then one day, "Really why am I dress designs do not," said those who get, both from the very beginning fashion or fabrics and patterns through the emerging structures as those who, whether this stream supports the number of people steadily growing. Fabrics used in building construction cement, concrete is seen as a powerful silhouette, shape and form through the body on the floor, such as fitted out. In addition, both are considered as three-dimensional geometry advantage of being both.
Interdisciplinary Collaboration
World-renowned Turkish designer Hussein Chalayan in the design often incorporates architectural elements. The new structures and materials used in the design of contemporary architecture with support rather than fashion, and almost every discipline at the same time two blue beads are distributed. In fact, nothing new, though it is many years just color, pattern and length juggle as we face the designs pall way, the future of the break came that look like architectural fashion that we all enjoyed. Yeohlee Yohji Yamamoto and Hussein Chalayan, mainly of the names we love to work. 2009 Spring Summer Season Gianfranco Ferre'nin for the dress was inspired from the Sydney Opera House was a standing ovation. Contemporary architecture and traditional fashion of the merge in the coming years more will witness our underlining and writing of the famous designer Pierre Balmain'de words ending I would like to "dress to the movement's architecture is a dress the most important part of the construction phase is is believing."
No comments:
Post a Comment